Lucy is insecure, broke, and newly single. As she starts to pick up the pieces, her life is turned upside down when she is immersed in the local drag scene. Perhaps the true key to happiness is acceptance of herself. Can she escape the past in order to face her fears and start living her truth?

Mockumentary experimental film, which shows one day in the life of a young man.
The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country.
The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends.
The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.

I’ m travelling. I’ m leaving a city behind me for another city. I hope a different one. I suppose, someone else must be travelling to reach the city that I’m leaving. Maybe the journey takes place only inside us. Maybe the city itself is only inside us. What indeed is a city, rather than the way we see it. Violence follows me everywhere. For a while the colors fade and the place loses its power, I'm not sure where I am. How different is a tourist town from a real one. Is fascism something acquired or something that we are born with?

Carol was the perfect mother. So what was she doing hiding under a bridge with a hammer? Carol answers the door to an unexpected early morning visitor "I suppose you want to know why I was hiding under a bridge with a hammer?" Taking the stranger through the house, she says she needs to finish baking her cupcakes. As she bakes, she talks about how much she loves her daughter, Jessica, who has become the absolute focus of her life and about her long-running feud with the neighbours. Having given her life to bringing up her daughter she still finds herself alone and aware that she and Jessica are growing apart. She delves into Jessica’s belongings and online accounts, discovering that she isn’t the perfect Oxford-bound girl she’d supposed and that Jessica has become someone else entirely, someone Carol can’t recognise. In a fit of madness, Carol chases after Jessica and her secret boyfriend, Storm, the much despised boy next door, to their meeting place on a bridge, where she swings a hammer…and flees the scene unable to face the consequences of her actions. The cupcakes, Carol explains, are to make amends. She is ready now to go with the police as long as she can take the cakes round to the neighbours. As the film ends, she is taken away.

Party is over, but the Disco ball is still turning. In the morning the Captain shoots him with a bow, and accidentally falls into the dream of an Indian, a lighthouse keeper, who demonstrates to him three women from the past - from the 70s, 80s and 90s. Every woman welcomes a state of fragile idyll, when the world comes to life and the sun turns its gaze on them.

Cathy and Tim's Japanese grandfather has fallen ill. While Mom and Dad take care of Grandpa, they need to stay with their Aunt Kurosawa. Only, something's not right. Aside from a language barrier, strange events continue to occur that the children can't explain.